Saturday, January 9, 2016

New Year, New Techniques: Mark Making in Ink and Heavy Thread

Mark Making in Watercolour:
A new year inspires one to try new things. So at drawing session, I've been using a dip pen with acrylic ink. It dries fast and if I am quick I can add some values in watercolour. The poses last from a minute, at warm up, to about 20 minutes for the longer seated poses so there is no time to get too fussy. It forces you to make decisions about what you will include in your drawing and what you don't have time for.

 With having to dip the pen to replenish the ink, it causes a sketchy look. I find because I work with textiles, when I am painting I am often focused on depicting the fabrics. This chiffon skirt below, draped marvelously and the dots were spell binding. The colour in the background was from a commissioned watercolour I started but abandoned as the composition wasn't to my liking. It could be an interesting start for some added watercolour paint. 

 Look at those side buttons on that jumper. Who could resist focusing on those? Notice I was using fuchsia ink. Feeling colourful that day I guess.

In summary, I like the combination of the ink and watercolour. The acrylic ink which dries quickly seems more suited to this technique than India Ink which I have found has a tendency to bleed. 

 Mark Making with Thread:

When free motion stitching on my hand (dye) painted fabrics I generally use a regular weight polyester thread. Out of the blue I decided to try a heavier weight in the upper thread. The bobbin thread remained the same regular weight thread. I did need to adjust the thread tension slightly. The thread line is NOT smooth (likely due to the differences in thread weights between the bobbin and upper thread) but I like the textural nature of the line.

Cherry tree in Bloom using a heavier weight thread.

Who is peaking out the screen door?

More wrought iron and a hanging basket.

For my friends in Yuma, "Is this the gate to your yard?"

This heavier thread weight worked really well for these flowers.

Something for the recycle bin. Too much of a contrast between the heavy black line of the thread and the light value of the hand dyed fabric for my liking.   
In summary, I think the heavier weight thread suits the more organic images but when thread painting buildings, for instance, I prefer the standard weight sewing thread. Also consider using a lighter thread when the dyed fabric is of a light value.


Win Dinn, Artist said...

I'm so enjoying these dip pen drawings, Eileen - they're so fresh and lively! And you know I love the heavier weight thread on so many of these pieces; I agree that it works particularly well with the organic ones! Lovely post!

vix said...

Nice to see your different experiments! x